Artem Belogurov, historical keyboards and piano

Artem Belogurov is equally at home at the modern piano, harpsichord, clavichord and the many varieties of historical pianos. His repertoire ranges through four centuries of solo, concerto and chamber repertoire. Based in Amsterdam he performs in Europe, North America and Japan as a soloist, with his regular duo partner cellist Octavie Dostaler-Lalonde, and his chamber ensemble Postscript. His recent performances include concerto appearances with Concerto Köln in Lincoln Center, New York and at the Library of Congress, Washington as well as with Camerata RCO in Sofia,

Bulgaria. Both as a soloist and as a member of chamber ensembles, Artem has performed at a number of international festivals, among them Festival Montréal Baroque, Festival Royaumont, Festival Oude Muziek Utrecht, and Wonderfeel Festival.

Artem was born in Riga, Latvia and grew up in Odessa, Ukraine. At the age of 18 he moved to Boston, USA and studied modern piano at the New England Conservatory with Gabriel Chodos, Patricia Zander, and Victor Rosenbaum. In 2014 Artem moved to Amsterdam, where he studied fortepiano and clavichord at the Conservatorium van Amsterdam with Richard Egarr and Menno van Delft, and graduated cum laude in 2016. Artem won first and second prizes at international competitions such as the International Competition for Early Music in Yamanashi, Japan; the Geelvinck Fortepiano Concours in Amsterdam, Netherlands; and the Brothers Graun Award in Bad Liebenwerda, Germany. He is actively interested in research, particularly relating to Romantic performance practice, and enjoys experimenting with and reviving forgotten expressive devices. He has recorded for BIS, Piano Classics, Berlin Classics and TRPTK. To learn more about him and his projects, please visit artembelogurovmusic.com, postscriptensemble.com, and romanticlab.com.